Author: om
Gramophone. OM in recital
Oleg Marshev displays a super-size virtuosity Oleg Marshev in recital An astonishing release from a pianist perfectly attuned to this repertoire. Chopin Three Waltzes, Op 34. Ballade No 4,Op 52 Liszt Funerailles, S173 No 7. Rhapsodie espagnole, S254. Etudes d'execution transcendante, S139-No 10 Scriabin Mazurkas–Op 25No 3; Op 40 Nos 1 & 2. Poemes, Op 32. Preludes, Op 15. Vers la flamme, Op 72 Oleg Marshev pf Danacord DACOCD677 (79' • DDD) This recital shows Oleg Marshev's formidable powers in a dazzling, ultra-Romantic light. Yet his super-size virtuosity - a place where muscles bulge and ripple - is backed by a no less enthralling musicianship. Marshev's earlier record of the Liszt-Tausig Tasso will have alerted even the most blase virtuoso-fancier to exceptional powers and here in the Rhapsodie espagnole he...
International Record Review. Pabst/Scriabin
International Record Review PABST Piano Concerto in E fiat RIMSKY-KORSAKOV Piano Concerto in C sharp minor SCRIABIN Piano Concerto in F sharp minor Oleg Marshev (piano); South Jutland SO/Vladimir Ziva Danacord DACOCD 660 73:52 mins. Producer Lennart Dehn. Engineer Stephan Flock Listening to these captivating performances, with all concerned playing as though they believed in every note, reminded me of Vox's 1970s heyday in the UK on Decca Turnabout when 99p would buy you Michel Ponti playing Balakirev, Lyapunov or Tchaikovsky's Second with a scorching abandon and imperativeness that in many ways has never been surpassed on disc. (more…)
BBC Music Magazine. Pabst Scriabin Concertos
BBC Music CHOICE Virtuosity with charm: Oleg Marshev gives winning accounts of three concertos MARSHEV'S STYLISH TRIO DAVID NICE welcomes Oleg Marshev back in sparkling form. PABST Piano Concerto in E fiat RIMSKY-KORSAKOV Piano Concerto in C sharp minor SCRIABIN Piano Concerto in F sharp minor Oleg Marshev (piano); South Jutland SO/Vladimir Ziva Danacord DACOCD 660 73:52 mins This is Oleg Marshev's finest disc since his stylish accounts of the two Shostakovich concertos. (more…)
BBC Music Magazine online, Pabst/Skriabin concertos
Classical-Music.com The official website of BBC Music Magazine Pabst; Rimsky-Korsakov; Scriabin This is Oleg Marshev’s finest disc since his stylish accounts of the two Shostakovich concertos. He includes a genuine rarity which has not even surfaced on Hyperion’s Romantic Concertos series, the rather ordinary specimen by Königsberg-born, Russocentric Pavel Pabst (1854-97). Calum MacDonald’s liner notes suggest that ‘the date of the work, its tonality and its thematic structure’ may have been tailored to the 1883 coronation of Tsar Alexander the Third. Be that as it may, it’s short on truly distinctive grandeur, but it does give Marshev a chance to display both muscular virtuosity and light transcendentalism, executed as well as anyone could wish. The other concertos on the disc are touched...
INTERNATIONAL PIANO. Tchaikovsky
INTERNATIONAL PIANO November December 2007 Tchaikovsky Piano Concertos — nos.1 in in B flat minor op.23, 2 in G major op.44 (original version) & 3 in E flat major op.75, Andante and Finale op.79 (orch.Taneyev). Concert Fantasia in G major op.56. Allegro in C minor op.posth. Oleg Marshev pf Aalborg Symphony Orchestra / Owain Arwel Hughes Danacord DACOCD 586-587 Recorded in 2001-2, this Tchaikovsky cycle has been a long time coming. Finely produced and engineered, enjoying committed support from the Aalborg band and strong direction under Hughes, here are performances of style and authority, knocking just about every other into a cocked hat. What's more there's no set currently more complete: the early C minor Allegro for piano and strings...
Gramophone, Tchaikovsky
GRAMOPHONE Awards Special Issue 2007 A stunning Second Concerto from Marshev, back on outstanding form Tchaikovsky Complete Works for Piano and Orchestra Oleg Marshev pf Aalborg Symphony Orchestra / Owain Arwel Hughes Danacord DACOCD 586-587 Marshev returns to top form, all guns blazing, with the three piano concertos (the last two movements of No 3 orchestrated by Taneyev as the Andante and Finale in B flat/E flat, Op 79), the Concert Fantasia in G and Tchaikovsky's rarely heard early Allegro in C minor for piano and strings. The latter dates from his student days (1863-64) and lasts a mere 2'30". It was only unearthed in 1965 and, while hardly significant music, is an interesting sign of things to come. David...
CLASSICAL SOURCE. Liszt
CLASSICAL SOURCE Franz Liszt Piano Sonata in B minor Tasso, Lamento e Trionfo [transcribed Tausig] A Faust Symphony – Gretchen [arranged Liszt] Oleg Marshev (piano) Rec. Recorded February 2006 in Aalborg, Denmark DANACORD DACOCD 653 Duration 65 minutes With realistic and immediate piano sound, Oleg Marshev’s rigorous yet emotional account of Liszt’s great B minor Sonata is a compelling journey. It’s a work often recorded and several new versions have appeared recently; Marshev’s is a considered view, a rendition of insight and experience – and trust in the composer. Marshev sees the work whole and he is not afraid to shape with feeling the lyrical episodes or to make turbulent the climactic ones. But these are not incidental ‘happenings’: they...
MUSICWEB INTERNATIONAL. Liszt
WWW.MUSICWEB INTERNATIONAL I’m not Liszt’s biggest fan, but Marshev has made me love what I merely admired, admire what I merely respected and, to cap it all, he’s even managed to make the boring bearable. Franz LISZT (1811 - 1886) Piano Sonata in B Minor, S178 (1852-3) [29:20] Tasso, Lamento e Trionfo Symphonic Poem (1849), transcr. (1858) Carl Tausig (1841-1871) [19:21] Gretchen, from A Faust Symphony, S513 (1854), transcr. (1856,1857) Liszt [16:08] Oleg Marshev (piano) Rec. Aalborg, Denmark, February 2006. DDD Danacord DACOCD 653 [65:16] Just lately, Liszt has got me a bit puzzled. Forget the famed and fкted of the Nineteenth Century opera stage they were small beer when compared with Liszt, the man who kick-started the...
Classicalsource. Liszt concertos
www.classicalsource.com Liszt Piano Concertos Piano Concerto No.1 in E flat, Piano Concerto No.2 in A, Totentanz, Hungarian Fantasy Oleg Marshev (pf) Aalborg Symphony Orchestra/Matthias Aeschbacher Duration 73 minutes Danacord DACOCD 651 I approve of the 'modesty' of this recording. So often, piano concerto recordings of the Romantic era beleaguer the ears in an attempt to underline a soloist's brilliance. Frequently everything is 'up-front' and on some occasions it is only the piano that is 'up-front' while the orchestra provides a mushy accompaniment. This is not the case with this honest release; if sometimes a little shy in the woodwind department, the engineers here match the unfussy style of the playing. Interestingly and in my view, appropriately, the recording gives the...
